Once in a while I teach glaze painting teachiques. It is a lengthly process. And I thought I would so one just so I know what I'm talking about. I set up a still life with a strong light source. Then I did my underpainting in burnt sienna really concentrating on getting as much detail and accuracy as possible. Correct value is particularly critical. I'll add photos after each later of glaze.
I let the underpainting dry then applied the first layer of ultramarine blue. I'm putting it on thinner in the dark lights and not at all in the very light lights.
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